But, and this is huge, there are over 6 billion too many people alive on the planet than they plan to let survive or attend their NWO global plantation party. It all sounds good, until you understand that non-owners will basically be dumb-downed, entertained, drugged serfs on the global plantation. Beale”, of this boardroom scene a couple times as this is ultimately the owners endgame plan. Listen to the last 45 seconds of this next clip, at about 3:30 starting with “our children will live, Mr. This throws the top Network brass into panic and this next scene with the subtle message takes place. He goes into an on-screen tirade urging Americans to bombard the White House to stop the Saudi deal.
#The message 1976 scnes movie#
Later in the movie Beale discovers the huge conglomerate that owns his Network is about to be bought by a Saudi conglomerate. More and more people are waking up to the disturbing amount of deception coming from the US mainstream media. This phenomena is what’s fueling the huge growth in the alternative media. The Network decides to keep Beale because ratings surge as the masses tune in to hear the Beale truth. To his employer’s surprise Beale goes into this on-screen tirade and network ratings spike. He arrives late for the news program rain drenched. In this classic, “I’m as mad as hell and I’m not going to take this anymore” scene, Howard Beale is airing his last newscast after being fired. He directs scenes for comedy even in the face of hisĭisturbing material and that makes the movie all the more effective sometimes we laugh, and sometimes we can't, and the movie's working best when we're silent.For anyone not familiar with the 1976 movie Network see Wikepedia’s summary HERE. Sometimes rather win than keep our self-respect. They're all three very good films - but "The Bad News Bears" is, in a way, his most harrowing portrait of how we'd Olympic ski champions, was his first film, and he also made "The Candidate," about a political race, and last year's " Smile," about a beauty contest. Matthau gets caught up in the competitiveness, too, ordering his kids toĭeliberately get themselves hit with pitched balls, and telling a new recruit ( Jackie Earle Haley, playing a neighborhood juvenile delinquent and naturalĪthlete) to grab as many plays as he can away from his teammates.ĭirector Michael Ritchie has made a specialty of
If winning is the only point, how you win starts not to matter. We begin to sense how important, how really crucial, Little League is to the adults involved in it. There are obligatory scenes in which the Bears finally get their uniforms, Matthau finally shaves, the boys say they won't wear their athletic supporters until Amanda wears one, too. She's Amanda ( Tatum O'Neal), the 12-year-old daughter of one of his former girl friends, and over the years he'd developed her into a first-rate pitcher.Īll of this is pretty much as we'd expect it, and Matthau works with the kids, despairs with them, finds himself beginning to care in spite of himself andįinally goes out to recruit a ringer. Unsentimental way, and lets them use the sort ofĭialog we'd like to think 12-year-olds aren't familiar with. The kids are good, too Ritchie sees them in a fairly tough and
Matthau is, of course, an engaging performer, and the role's a good one for him as he sits in the dugout, hung-over and bleary-eyed, watching his Bears come out of the first inning 26 runs behind. The movie comes by most of its comedy fairly easily. He doesn't understand kids, he's a loner, and he mixes bourbon and beer right in the can and drinks it in the dugout. His choice is an alcoholic onetime minor leaguer played by Walter Matthau - the sort of man mothers warn their children about. The team's obviously so bad no self-respecting coach would have anything to do with them, so the councilman hires a coach, illegally.
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